The Special Deluxe Edition comes with a four-disc treasure trove of outtakes, demos, and previously unheard gems, including Glyn Johns’ original version of the never-released Get Back. Martin and engineer Sam Okell have remixed the album in stereo, 5.1 surround DTS, and Dolby Atmos. And what they need to do is move on to something like Abbey Road.” ‘We need to get our sex life back, let’s go to that club again,’ but then realizing the music’s too loud. But doing that, they realize that the place was just old, and they didn’t have anything to talk about anyway. “They say, what we need to do is go back to the old place and go on those dates we used to go on. “I see Let It Be as a married couple whose relationship has become stale,” Martin says. It’s rooted in friendship, whether it’s George helping Ringo write “Octopus’ Garden” or Paul and John writing “I’ve Got a Feeling.” There’s something so beautifully daft about the whole Get Back/Let It Be project, something that only could have occurred to the Beatles. There’s pain in the music, yet there are also undeniable moments of warmth, laughter, brotherhood. Pepper, the White Album, and Abbey Road, opening up the vaults to shed new light on music you thought you already knew. Let It Be follows the stunning sets for Sgt. It’s the most creatively conflicted album the Beatles made, because they aren’t quite sure what they’re making.” “Not, funnily enough, conflict within the band, despite what people think, but creative conflict. “It’s an album of conflict,” says producer Giles Martin, son of the late George Martin.

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